The fundamental source of all your [read: progressive Democrats] errors, sophisms and false reasonings is a total ignorance of the natural rights of mankind. Were you once to become acquainted with these, you could never entertain a thought, that all men are not, by nature, entitled to a parity of privileges [read: God-granted rights and freedoms]. You would be convinced, that ... civil liberty is founded in that; and cannot be wrested from any people, without the most manifest violation of justice.” – Alexander Hamilton on February 23, 1775

What is it with the unfortunate intersection of troublemaking thespians and political leaders in American theaters? In this case, I refer not to Lincoln and Booth, but to Vice President-elect Pence and “Hamilton assassin” lead actor, Brandon Victor Dixon.

Recall, Mr. Pence is newly elected, not yet in office. He's paid a small fortune for Broadway theater tickets. He's out for the evening with family for a few well-deserved hours of entertainment. It's bad enough that the partisan New York crowd ungraciously boos him. Given this polarized environment, was it really appropriate for Dixon (playing the ironically “murderous” Vice President Aaron Burr) to add editorial heat by publicly calling Pence out? Now imagine if President-elect Barack Obama was in Mike Pence's “Hamilton” hot seat.

By invoking the heightened emotions of a contentious election, Dixon targeted the innocent man present with damning words: disrespecting Pence, Trump, and the voters. Despite his lofty rhetoric, this actor's clearly manipulative behavior was unmistakably designed to incite political tensions:

We, sir, are the diverse America who are alarmed and anxious that your new administration will not protect us: our planet, our children, our parents or defend us and uphold our inalienable rights, sir. But we truly hope this show has inspired you to uphold our American values and to work on behalf of all of us.

How is this not metaphorical character assassination? One somehow doubts Dixon would have slandered Barack Obama as he unkindly insulted Pence. If that did happen, identity politics obsessed liberals would be shrieking from the rooftops how close-minded (even racist!) the spokesman of the “Hamilton” cast is. (How dare they not give Obama the benefit of the doubt!) While everyone is entitled to an opinion, another American value is giving the new fellow a fair shake. Thus, Dixon's premature and wholesale condemnation is the only “alarming” element here. It's fascism in full flower.

For the record, arrogantly smug Obama said in January of 2009: “Elections have consequences, and at the end of the day, I won.” (Contrast that to Trump who tellingly said in his victory speech: “we won.”) The fact is that Barack Obama has been the most divisive president of the modern age. With overreaching executive orders, he habitually ignored Congress and the rule of law, never considered the conservative perspective (populating the vast spaces between coastal urban centers), and never even pretended to represent the Silent Majoritywho has tapped Donald Trump to be the 45th U.S. president.

Apparently, the “Hamilton” company is corrupted by progressive ideologues in desperate need of a crash course in Founding Father philosophy. They pay lip service to the value of “diversity” while rankly embodying intolerance. Today, poor Alexander Hamilton turns restlessly in his grave! His life is portrayed by a troupe of ignorant pretenders, led by “assassinating” actor Brandon Victor Dixon: the epitome of a rabble-rousing poser.

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